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“... The​ ‘common seamen’ of the age of sail are both an obvious subject to write about, and an obvious one to avoid. Most readers, and writers, will have a sense of the seaman’s life as having been exotic, dangerous, heroic even – but there are not many real experts on it, and fewer still with the literary powers necessary to recreate a way of life so remote from most modern experience ...”

“... There​ can scarcely be a subject about which more books have been written than the Second World War, and yet surprisingly few of them risk a synthesis of the whole. Many writers refer to the war in their titles, but their subjects are usually only a part of the whole: a campaign, a geographical area, a single country or, very often, a single armed service ...”

“... Warships​ are built for war, but not only for war. They have always had an eloquent symbolic value as expressions of power, wealth and resolve, as instruments of threat or reassurance. They speak this language in peacetime just as much as in war. But ‘language’ should really be in the plural. Different kinds of warship convey different meanings, in different languages, and the languages are not easy to translate ...”

“... 19th centuries was quintessentially about? The greatest achievement of the second volume of N.A.M. Rodger’s formidable trilogy devoted to British naval history is its determined questioning of any such assumptions. Trafalgar Square is a mid and late Victorian creation. The battle it celebrates took place in 1805, but Nelson’s column was not completed until ...”

“... where it started. The danger is exacerbated even now by memories from school. Till I read N.A.M. Rodger’s book I could not have placed Richard Grenville and the Revenge within twenty years, nor had any idea what he was doing ‘at Flores in the Azores’; nor do I know even yet (for Rodger is certainly not going to ...”

“... ruby-studded, winged salamander found in the Girona. Another book filled with knowledge is N.A.M. Rodger’s The Armada in the Public Records. After a brief rehearsal of the essentials and some fine pictures, we have facsimiles of 17 documents, mercifully transcribed by experts, which include Drake’s own account of his singeing of the King of Spain’s ...”